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Symposium Program
THURSDAY, February 7, 2013
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8:00 am – 4:00 pm
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School of Music Atrium
Registration
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8:15 am – 8:20 am
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Concert Hall
Welcome and announcements
Clint Randles, Symposium Chair
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8:20 am – 8:50 am
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Strategic administrative practices for including composition in music education
John Richmond, University of Nebraska, Lincoln
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8:50 am – 9:20 am
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Post-Praxial Music Education
John Kratus, Michigan State University
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9:20 am – 9:50 am
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Break
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9:50 am – 10:20 am
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Conference Center
Fika Musik: Seeking innovations in choral pedagogy through coffee and collaboration
Catherine Robbins, University of Manitoba
Elroy Friesen, University of Manitoba
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Barness Recital Hall
Difference and Music Education
Lauren Kapalka Richerme, Arizona State University
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10:20 am – 10:50 am
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Real voices, Virtual Performing: Phenomena of Digitally-Mediated Choral Singing
Stephen Paparo, University of Massachusetts, Amherst
Brent Talbot, Gettysburg College
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Male and Female Photographic Representation in Fifty Years of Music Educators Journal
Adam Kruse, Michigan State University
Robin Giebelhausen, Michigan State University
Heather Shouldice, Michigan State University
Andrea Ramsey, Michigan State University
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10:50 am – 11:20 am
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Conference Center
Partnerships & Practices: Exploring the Creative Practices of Audio Engineers and Producers
Alex Ruthmann, UMass, Lowell
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11:20 am - 12:00 pm
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Concert Hall Atrium
Poster Session
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12:00 pm – 1:00 pm
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Conference Center
Lunch (provided)
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1:00 pm – 1:30 pm
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Conference Center
Oto-Ethnography: Sound studies methodologies in music education
Joseph Abramo, University of Connecticut
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Barness Recital Hall
Guitar Wars: Examining the Parameters of Ethical and Effective Practice in Teacher Education
John Covach, University of Rochester
Carlos Xavier Rodriguez, University of Michigan, Ann Arbor
Patrick Schmidt, Florida International University
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1:30 pm – 2:00 pm
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Methodological trends in music education research
Michael Zelenak, Pinellas County Schools, FL
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2:00 pm – 2:30 pm
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Narrative inquiry as a means of exploring and reconceptualizing professional knowledge in music education
Nancy Dawe, University of Toronto
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Challenging Narratives in Popular Music Education: Preparing for the future
Gareth Dylan Smith, Institute for Contemporary Music Performance
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2:30 pm – 3:00 pm
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Break
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3:00 pm – 3:30 pm
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Conference Center
Liminal or lifelong: Leisure, recreation, and the future of music education
Roger Mantie, Boston University
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3:30 pm – 4:00 pm
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Conference Center
A Qualitative Study of Undergraduate Jazz Majors' Musical Identities
Daniel Healy, Northwestern University
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Barness Recital Hall
Online Status: Interactions Among Preservice and Experienced Teachers During Virtual Mentoring Episodes
Jill Reese, SUNY Fredonia
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4:00 pm – 4:30 pm
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Connecting ideas to practice: The development of an undergraduate student’s philosophy of music education in the United States
Ryan Salazar, Institute of Education, University of London (UK)
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Identity and transformation: (Re)claiming an inner musician
Karen Salvador, University of Michigan, Flint
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4:30 pm – 5:00 pm
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Bridging the Gap: Musical Creativity and Teacher Preparation
David Stringham, James Madison University
Linda Thornton, Penn State University
Daniel Shevock, Penn State University
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General Educators Teaching Music: It’s Not About Music, It’s About Pedagogical Possibilities
Cathy Benedict, Florida International University
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5:00 pm – 5:15 pm
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Break
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5:15 pm- 5:45 pm
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Conference Center
Inter/trans/multi/cross/new media(ting): Navigating an emerging landscape of digital media for music education
Evan Tobias, Arizona State University
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FRIDAY, February 8, 2013
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8:00 am – 4:00 pm
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School of Music Atrium
Registration
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8:15 am – 8:45 am
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Conference Center
Questions for the Future: Lessons from the Past
Maud Hickey, Northwestern University
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8:45 am – 9:15 am
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The Role of Music Education History in Professional Planning
Michael Mark, Towson University
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9:15 am – 9:45 am
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Break
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9:45 am – 10:15 am
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Conference Center
Making a Difference: Group Creativity in Higher Education
Maud Hickey, Northwestern University
Alexander Koops, Azusa Pacific University
David Stringham, James Madison University
Linda Thornton, Penn State University
Clint Randles, University of South Florida
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Barness Recital Hall
Co-constructing a Music Environment in a Preschool Setting
Alison Reynolds, Temple University
Kerry Filsinger, Temple University
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10:15 am – 10:45 am
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“I Feel Like I Belong Here”: A Case Study of an Urban Student Teacher
Stephanie Prichard, University of Colorado
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Assessing Musical Behavior of Preschool Children: Research and Practical Implication
Gina Yi, Michigan State University
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10:45 am – 11:15 am
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Empowering creative thinking through birdsong: An interdisciplinary project-based learning experience
Betty Anne Younker, University of Western Ontario (Canada)
Jillian Bracken, University of Western Ontario (Canada)
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The Future: Focusing Intentions on Early Childhood Music Education in the United States
Alison Reynolds, Temple University
Kerry Filsinger, Temple University
Pamela Turowski, Temple University
Heather Waters, Temple University
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11:15 pm – 12:15 pm
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Lunch (provided)
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12:15 pm – 12:45 pm
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Conference Center
Ukuleles, Creativity, and the Virtual Classroom
Robin Giebelhausen, Michigan State University
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12:45 pm – 1:15 pm
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Conference Center
A Multiple Case Study of Four Music Educators Engaged in Ongoing Curriculum Reform
Donna Gallo, Northwestern University
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Barness Recital Hall
Piano as a Secondary Instrument: Perceived Adult Learning Needs and Challenges
Hong Chen, University of South Florida
Jennifer Bugos, University of South Florida
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1:15 pm – 1:45 pm
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Communities of practice: The effects of interactions among in-service music teachers in a graduate program on their development as educators
Jihae Shin, Columbia Teachers College
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Factors Influencing the Balancing of High School Marching and Concert Band Responsibilities and its Affect on Ratings
Tim Groulx, University of Evansville
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1:45 pm – 2:15 pm
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“Taking the Training Wheels Off”: Music Teachers’ Explorations of Informal Music Learning
Julie Kastner, University of Houston
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Mothering and the High School Band Director: A Case Study
Kate Fitzpatrick, University of Michigan, Ann Arbor
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2:15 pm – 2:45 pm
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Concert Hall Atrium
Poster Session
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2:45 pm – 3:15 pm
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Conference Center
Title, Artist, Playlist: How Students Organize their Mobile Music Experiences in the Digital Age
Rebecca Rinsema, University of South Florida
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3:15 pm – 3:45 pm
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Conference Center
A Proleptic Perspective of Music Education
Brent Talbot, Gettysburg College
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Barness Recital Hall
Modeling Lifelong Music Learning with Catastrophe Theory
Jennifer Bugos, University of South Florida
William Lee, University of South Florida
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3:45 pm – 4:15 pm
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Original Content: Tapping into creative potential across the arts
Sarah Gulish, Temple University
Stefanie Elfstrom, Lower Moreland High School
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“The Development and Implementation of Music Curriculums in Public Schools in Rio de Janeiro, Brazil”
Colin Harte, University of Florida
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4:15 pm – 4:45 pm
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Brainstorms: The musical self as a “point of view”
Catherine Robbins, University of Manitoba, Canada
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Multicultural Music Education: A Meta-Review of Dissertation Research
Terese Volk-Tuohey, Wayne State University
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4:45 pm – 5:00 pm
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Break
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5:00 pm – 5:30 pm
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Conference Center
Impacting curricular change in higher education music
David Williams, University of South Florida
Frank Heuser, UCLA
David Myers, University of Minnesota
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5:30 pm – 7:00 pm
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Break
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7:00 pm-9:00 pm
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Dinner
Narratives of Lives Spent in Music Education
Edwin Gordon, University of South Carolina
Bennett Reimer, Northwestern University
Dinner followed immediately by the 2nd Bi-Annual SMERS Jam Session
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SATURDAY, February 9, 2013
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8:00 am – 4:00 pm
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School of Music Atrium
Registration
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8:15 am – 8:45 am
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Conference Center
Navigating the Future
Clint Randles, University of South Florida
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8:45 am – 9:15 am
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Individual vs. Collaborative Explanations of Musical Creative Process
Peter Webster, Northwestern University
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9:20 am – 9:50 am
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Conference Center
Learning musical improvisation – the interaction between controlled and automatic processes
Martin Norgaard, Georgia State University
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Barness Recital Hall
Elementary Students’ Definitions and Self-Perceptions of Being a “Good Musician” Heather Shouldice, Michigan State University
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9:50 am – 10:20 am
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Novice Music Teachers’ Experiences in an Improvisation Professional Development Workshop
Mark Filsinger, Buffalo State College
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Music Learning and Cultural Knowledge In Diverse Contexts: Case Studies from Hip Hop, Gospel, and Electronic Music Production
Radio Cremata, Aspira Youth Leadership Charter School
Joseph Pignato, SUNY Oneonta
Bryan Powell, GOAL4Kids
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10:20 am – 10:50 am
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Teaching confidence: Improvisation at a summer jazz camp
Daniel Shevock, Penn State University
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A Comparative Case Study of Elective Participation in Two Contrasting Collegiate Vocal Ensembles
Sara Jones, Northwestern University
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10:55 am – 11:30 am
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Conference Center
The Shifting Locus of Musical Experience from Performance to Recording to New Media: Some Implications for Music Education
Matthew Thibeault, University of Illinois, Urbana-Champaign
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11:30 am – 11:40 am
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Symposium Conclusion
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